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> <channel><title>Comments for Bali Blogger Community</title> <atom:link href="http://baliblogger.org/comments/feed" rel="self" type="application/rss+xml" /><link>http://baliblogger.org</link> <description>Komunitas Blogger bali</description> <lastBuildDate>Thu, 23 May 2013 07:31:06 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.5.1</generator> <item><title>Comment on Homegrown &amp; Well Known: BRIANNA SIMORANGKIR by Rudolf Dethu</title><link>http://www.rudolfdethu.com/2013/05/23/homegrown-well-known-brianna-simorangkir/#comment-638</link> <dc:creator>Rudolf Dethu</dc:creator> <pubDate>Thu, 23 May 2013 07:31:06 +0000</pubDate> <guid
isPermaLink="false">http://www.rudolfdethu.com/?p=10989#comment-638</guid> <description><![CDATA[Q: Back then you were performing jazz tunes rather than punk rock and yet these days people know you as a rock singer. How did this change come about?
A: Yeah! Bizarre, right?
Jazzy tunes were second nature, but I always had this little gremlin inside of me who loved to listen to all the devilish bad boy bands like Limp Bizkit, No Doubt, Sublime and even System Of A Down. I grew up listening to my father perform classic old Latin and Jazz tunes, like from the Real Book, therefore these styles were what I knew. I felt comfortable and confident singing them, they’re way more easy going on the vocal chords. Then came my high school days in a Sydney performing arts boarding school, The McDonald College. My world opened up to Jeff Buckley, RHCP, and Nirvana. I felt so connected to those sounds and their song lyrics but I was in serious denial because I was known as the soulful jazzy ballad singer, who was clearly slanted towards the hip-hop scene, so I kept quiet about it until one day an angel by the name of Liz Oprandi came along and asked me to sing a song with her husband Leo Sinatra. She’d written this song called &quot;Hope&quot; for Leo’s band Suicidal Sinatra. Thanks to those cool cats I began my rockabilly/punk rock romance. Oh, just so you know, the first rockabilly band I was obsessed with was The Hillbilly Moon Explosion.
Read more: http://www.rudolfdethu.com/2013/05/23/homegrown-well-known-brianna-simorangkir/
Cc. Lauren Shipman Ary Astina Liz Adela Leo Sinatra]]></description> <content:encoded><![CDATA[<p>Q: Back then you were performing jazz tunes rather than punk rock and yet these days people know you as a rock singer. How did this change come about?</p><p>A: Yeah! Bizarre, right?</p><p>Jazzy tunes were second nature, but I always had this little gremlin inside of me who loved to listen to all the devilish bad boy bands like Limp Bizkit, No Doubt, Sublime and even System Of A Down. I grew up listening to my father perform classic old Latin and Jazz tunes, like from the Real Book, therefore these styles were what I knew. I felt comfortable and confident singing them, they’re way more easy going on the vocal chords. Then came my high school days in a Sydney performing arts boarding school, The McDonald College. My world opened up to Jeff Buckley, RHCP, and Nirvana. I felt so connected to those sounds and their song lyrics but I was in serious denial because I was known as the soulful jazzy ballad singer, who was clearly slanted towards the hip-hop scene, so I kept quiet about it until one day an angel by the name of Liz Oprandi came along and asked me to sing a song with her husband Leo Sinatra. She’d written this song called &#8220;Hope&#8221; for Leo’s band Suicidal Sinatra. Thanks to those cool cats I began my rockabilly/punk rock romance. Oh, just so you know, the first rockabilly band I was obsessed with was The Hillbilly Moon Explosion.</p><p>Read more: <a
href="http://www.rudolfdethu.com/2013/05/23/homegrown-well-known-brianna-simorangkir/" rel="nofollow">http://www.rudolfdethu.com/2013/05/23/homegrown-well-known-brianna-simorangkir/</a></p><p>Cc. Lauren Shipman Ary Astina Liz Adela Leo Sinatra</p> ]]></content:encoded> </item> <item><title>Comment on Homegrown &amp; Well Known: DEWA PALGUNA by Rudolf Dethu</title><link>http://www.rudolfdethu.com/2013/03/03/homegrown-well-known-dewa-palguna/#comment-612</link> <dc:creator>Rudolf Dethu</dc:creator> <pubDate>Sun, 03 Mar 2013 23:50:13 +0000</pubDate> <guid
isPermaLink="false">http://www.rudolfdethu.com/?p=10338#comment-612</guid> <description><![CDATA[For English version please click below.
Versi Bahasa Indonesia silakan klik tautan berikut: http://www.rudolfdethu.com/2013/03/03/homegrown-well-known-dewa-palguna-indonesia/
Cc. Dewa Palguna, Lauren Shipman]]></description> <content:encoded><![CDATA[<p>For English version please click below.<br
/> Versi Bahasa Indonesia silakan klik tautan berikut: <a
href="http://www.rudolfdethu.com/2013/03/03/homegrown-well-known-dewa-palguna-indonesia/" rel="nofollow">http://www.rudolfdethu.com/2013/03/03/homegrown-well-known-dewa-palguna-indonesia/</a></p><p>Cc. Dewa Palguna, Lauren Shipman</p> ]]></content:encoded> </item> <item><title>Comment on Homegrown &amp; Well Known: DEWA PALGUNA [Indonesian version] by Rudolf Dethu</title><link>http://www.rudolfdethu.com/2013/03/03/homegrown-well-known-dewa-palguna-indonesia/#comment-611</link> <dc:creator>Rudolf Dethu</dc:creator> <pubDate>Sun, 03 Mar 2013 23:50:13 +0000</pubDate> <guid
isPermaLink="false">http://www.rudolfdethu.com/?p=10352#comment-611</guid> <description><![CDATA[For English version please click below.
Versi Bahasa Indonesia silakan klik tautan berikut: http://www.rudolfdethu.com/2013/03/03/homegrown-well-known-dewa-palguna-indonesia/
Cc. Dewa Palguna, Lauren Shipman]]></description> <content:encoded><![CDATA[<p>For English version please click below.<br
/> Versi Bahasa Indonesia silakan klik tautan berikut: <a
href="http://www.rudolfdethu.com/2013/03/03/homegrown-well-known-dewa-palguna-indonesia/" rel="nofollow">http://www.rudolfdethu.com/2013/03/03/homegrown-well-known-dewa-palguna-indonesia/</a></p><p>Cc. Dewa Palguna, Lauren Shipman</p> ]]></content:encoded> </item> <item><title>Comment on Frekuensi Perangkap Tikus: Mahakarya Musik dan Aktivisme by Rudolf Dethu</title><link>http://www.rudolfdethu.com/2013/02/18/frekuensi-perangkap-tikus/#comment-607</link> <dc:creator>Rudolf Dethu</dc:creator> <pubDate>Mon, 18 Feb 2013 07:15:21 +0000</pubDate> <guid
isPermaLink="false">http://www.rudolfdethu.com/?p=10219#comment-607</guid> <description><![CDATA[⚔ Mousetrap Frequency: Music &amp; Activism Masterpiece ⚔
&quot;Frekuensi Perangkap Tikus&quot; (Mousetrap Frequency) is not exactly a new album but this compilation, released on December 9th, 2012, is one of those masterpieces that needs to be acknowledged, respected, celebrated and shouldn’t ever, under any circumstances, be relegated to the list of albums currently being consumed by the bowels of your iTunes never-playlist. Each song is equal in infectious excellence, each featured artists is as intellectually badass as the next, and the theme behind the compilation is, and has always been, an uber sexy topic, the ultimate headline in Indonesia: fighting corruption.
First initiated by one of the very few die-hard, uncompromising, anti-graft groups, Indonesia Corruption Watch, the entire record—this is the best part—is available as a free download at beranijujur.net. The reason? To get you actively supporting the cause. So to get yourself this epic album, you’re going to have to get yourself on the activism bandwagon and commit to at least one good cause before collecting the free songs (click the &quot;agree&quot; button to support the anti-corruption movement, and so forth). In fact, while you’re at it go be a good little human and tell your daddy, your mumma, your little sisters and brothers to get clicking too.
Go ahead, put your hand where your mouse is and take a step toward creating a corruption-free Indonesia, complete with good-corporate-governance by downloading &quot;Mafia Hukum&quot; (Navicula), &quot;Kings and Barbarians&quot; (Sajama Cut), &quot;Kami Bosan Jadi Negara Dunia Ketiga&quot; (Morfem), &quot;Mimpi Basah Pembangkang Sipil&quot; (Eyefeel Six feat. Morgue Vanguard) and all those other playlist-worthy Frekuensi Perangkap Tikus tracks today. We dare you.
→ Indonesian version: http://www.rudolfdethu.com/2013/02/18/frekuensi-perangkap-tikus/
Cc. Lauren Shipman]]></description> <content:encoded><![CDATA[<p>⚔ Mousetrap Frequency: Music &#038; Activism Masterpiece ⚔</p><p>&#8220;Frekuensi Perangkap Tikus&#8221; (Mousetrap Frequency) is not exactly a new album but this compilation, released on December 9th, 2012, is one of those masterpieces that needs to be acknowledged, respected, celebrated and shouldn’t ever, under any circumstances, be relegated to the list of albums currently being consumed by the bowels of your iTunes never-playlist. Each song is equal in infectious excellence, each featured artists is as intellectually badass as the next, and the theme behind the compilation is, and has always been, an uber sexy topic, the ultimate headline in Indonesia: fighting corruption.</p><p>First initiated by one of the very few die-hard, uncompromising, anti-graft groups, Indonesia Corruption Watch, the entire record—this is the best part—is available as a free download at beranijujur.net. The reason? To get you actively supporting the cause. So to get yourself this epic album, you’re going to have to get yourself on the activism bandwagon and commit to at least one good cause before collecting the free songs (click the &#8220;agree&#8221; button to support the anti-corruption movement, and so forth). In fact, while you’re at it go be a good little human and tell your daddy, your mumma, your little sisters and brothers to get clicking too.</p><p>Go ahead, put your hand where your mouse is and take a step toward creating a corruption-free Indonesia, complete with good-corporate-governance by downloading &#8220;Mafia Hukum&#8221; (Navicula), &#8220;Kings and Barbarians&#8221; (Sajama Cut), &#8220;Kami Bosan Jadi Negara Dunia Ketiga&#8221; (Morfem), &#8220;Mimpi Basah Pembangkang Sipil&#8221; (Eyefeel Six feat. Morgue Vanguard) and all those other playlist-worthy Frekuensi Perangkap Tikus tracks today. We dare you.</p><p>→ Indonesian version: <a
href="http://www.rudolfdethu.com/2013/02/18/frekuensi-perangkap-tikus/" rel="nofollow">http://www.rudolfdethu.com/2013/02/18/frekuensi-perangkap-tikus/</a></p><p>Cc. Lauren Shipman</p> ]]></content:encoded> </item> <item><title>Comment on Homegrown &amp; Well Known: LEO SINATRA by Rudolf Dethu</title><link>http://www.rudolfdethu.com/2013/02/15/homegrown-well-known-leo-sinatra/#comment-606</link> <dc:creator>Rudolf Dethu</dc:creator> <pubDate>Thu, 14 Feb 2013 22:13:53 +0000</pubDate> <guid
isPermaLink="false">http://www.rudolfdethu.com/?p=10179#comment-606</guid> <description><![CDATA[Q: Helloween-esque power metal to Tiger Army-ish psychobilly. Interesting. How exactly did this drastic influence-shift come about?
A: It was 2004 and a friend of mine came back from Australia for school holidays and gave me a Living End album on cd. I was so was amazed by them, I went over to Opix’s house (Suicidal Sinatra’s vocalist). We went for a drive, I cranked up the music and he was so unimpressed that he turned off his cd player. I laughing so much, but I didn’t give up and honestly it didn’t take long for him to come round. We started studying The Living End rigorously and that really influenced our next album, Valentine Ungu. Surprisingly the album, despite how different it was to our metal stuff, was really well received by both friends and fans and well, gigs kept rolling on in after that. We started playing gigs, gigs, and more gigs and by then we all felt that rockabilly feeling burning our hearts. By the time we released our second album, Love Songs and Stinkin’ Cheese, we had changed our name to Suicidal Sinatra.
The album was produced by Electrohell Records, which is owned by Bobby Kool of Superman Is Dead. They’d shown a lot of interest in the band over the years and post that we went on to meet heaps of new and interesting music-industry people. It was amazing, I felt like I’d found my way, musically speaking.
And since, having tapped into psychobilly music, things’ve kept getting increasingly better, bigger, and more interesting. During that Living End inspired era I discovered Tiger Army and were totally and unbelievably hooked. All my bandmates were just as hooked as me. So all of us jumped in together; like we were drowning in a Tiger Army frenzy! That band changed our vision. We became darker, angrier, and became increasingly conscious of sociopolitical issues. The shift we made in the psychobilly-infused Boogie Woogie Psychobilly album is a testament to that. It’s darker, heavier, faster, but it also makes you want to dance like a drunken devil. Man, my wildest dream would be to share a stage with Tiger Army—it’d be totally insane. I’m going to keep being optimistic about that, it’ll happen. You know, not so long ago I shared a stage with Travis Demsey, the former drummer of The Living End. Best feeling ever!
Read more: http://www.rudolfdethu.com/2013/02/15/homegrown-well-known-leo-sinatra/
Cc. Leo Sinatra, Liz Adela, Lauren Shipman
]]></description> <content:encoded><![CDATA[<p>Q: Helloween-esque power metal to Tiger Army-ish psychobilly. Interesting. How exactly did this drastic influence-shift come about?</p><p>A: It was 2004 and a friend of mine came back from Australia for school holidays and gave me a Living End album on cd. I was so was amazed by them, I went over to Opix’s house (Suicidal Sinatra’s vocalist). We went for a drive, I cranked up the music and he was so unimpressed that he turned off his cd player. I laughing so much, but I didn’t give up and honestly it didn’t take long for him to come round. We started studying The Living End rigorously and that really influenced our next album, Valentine Ungu. Surprisingly the album, despite how different it was to our metal stuff, was really well received by both friends and fans and well, gigs kept rolling on in after that. We started playing gigs, gigs, and more gigs and by then we all felt that rockabilly feeling burning our hearts. By the time we released our second album, Love Songs and Stinkin’ Cheese, we had changed our name to Suicidal Sinatra.</p><p>The album was produced by Electrohell Records, which is owned by Bobby Kool of Superman Is Dead. They’d shown a lot of interest in the band over the years and post that we went on to meet heaps of new and interesting music-industry people. It was amazing, I felt like I’d found my way, musically speaking.</p><p>And since, having tapped into psychobilly music, things’ve kept getting increasingly better, bigger, and more interesting. During that Living End inspired era I discovered Tiger Army and were totally and unbelievably hooked. All my bandmates were just as hooked as me. So all of us jumped in together; like we were drowning in a Tiger Army frenzy! That band changed our vision. We became darker, angrier, and became increasingly conscious of sociopolitical issues. The shift we made in the psychobilly-infused Boogie Woogie Psychobilly album is a testament to that. It’s darker, heavier, faster, but it also makes you want to dance like a drunken devil. Man, my wildest dream would be to share a stage with Tiger Army—it’d be totally insane. I’m going to keep being optimistic about that, it’ll happen. You know, not so long ago I shared a stage with Travis Demsey, the former drummer of The Living End. Best feeling ever!</p><p>Read more: <a
href="http://www.rudolfdethu.com/2013/02/15/homegrown-well-known-leo-sinatra/" rel="nofollow">http://www.rudolfdethu.com/2013/02/15/homegrown-well-known-leo-sinatra/</a></p><p>Cc. Leo Sinatra, Liz Adela, Lauren Shipman</p> ]]></content:encoded> </item> <item><title>Comment on Homegrown &amp; Well Known: I WAYAN &#8220;GENDO&#8221; SUARDANA by Rudolf Dethu</title><link>http://www.rudolfdethu.com/2013/02/01/homegrown-well-known-i-wayan-gendo-suardana/#comment-603</link> <dc:creator>Rudolf Dethu</dc:creator> <pubDate>Fri, 01 Feb 2013 03:41:47 +0000</pubDate> <guid
isPermaLink="false">http://www.rudolfdethu.com/?p=10087#comment-603</guid> <description><![CDATA[Q: How’s the government responding to all your protests?
A: I keep shouting, screaming, and writing complaints but, even though I’m doing this, the government hasn’t accommodated the protests. To me this means that they are clueless. In truth, the government has no adaptive policies for environmental troubleshooting.
More often than not, our protests have been regarded as destructive moves rather than constructive solutions and, as our protests are not considered serious, they have been responded to with unproductive statements, responses which can only be described as a significant disrespect upon our right to express our perspectives—rights which are supposedly guaranteed by Indonesian law.
In a few of these cases, such statements from the government have forced us, Walhi, to sue the Governor through the Denpasar Civil Service Arbitration Tribunal. In once such case, permission was given to PT Tirta Rahmat Bahari to manage the mangrove park of Ngurah Rai. There have also been many cases where the governor has let developments go ahead even though they are in complete breech of environmental law.
But the same thing has happened with the parliament, especially Commission III, which focuses on environment. It’s a complete joke. There are times when they act as if they appreciate our activities, and support us by, say, releasing harsh statements to environmental criminals, but then they retract. All of a sudden they just change; they’ll swing from angry to a bit calmer, from calm to taking sides, and then wham, they make us their enemy!
It was a bit of a sad joke when the Secretary of Commission III asked us to send a letter of admonition to the Badung Regent regarding the development of Hotel Mulia in Nusa Dua. Oh, and also when the general public requested to know how come Commission III weren’t progressing with the mangrove park problem, they said that they are waiting for Walhi to send a formal letter to the court. Isn’t it a little weird how legislative action is dependent on us initiating a move?! I mean, isn’t it their job?
Read more: http://www.rudolfdethu.com/2013/02/01/homegrown-well-known-i-wayan-gendo-suardana/
Cc. Gendo Suardana Steve Palmer Sarah Forbes Ary Astina Arian Arifin Robi Navicula Alfred Pasifico Ginting Tandun Tony Ade Putri Paramadita Lauren Shipman]]></description> <content:encoded><![CDATA[<p>Q: How’s the government responding to all your protests?</p><p>A: I keep shouting, screaming, and writing complaints but, even though I’m doing this, the government hasn’t accommodated the protests. To me this means that they are clueless. In truth, the government has no adaptive policies for environmental troubleshooting.</p><p>More often than not, our protests have been regarded as destructive moves rather than constructive solutions and, as our protests are not considered serious, they have been responded to with unproductive statements, responses which can only be described as a significant disrespect upon our right to express our perspectives—rights which are supposedly guaranteed by Indonesian law.</p><p>In a few of these cases, such statements from the government have forced us, Walhi, to sue the Governor through the Denpasar Civil Service Arbitration Tribunal. In once such case, permission was given to PT Tirta Rahmat Bahari to manage the mangrove park of Ngurah Rai. There have also been many cases where the governor has let developments go ahead even though they are in complete breech of environmental law.</p><p>But the same thing has happened with the parliament, especially Commission III, which focuses on environment. It’s a complete joke. There are times when they act as if they appreciate our activities, and support us by, say, releasing harsh statements to environmental criminals, but then they retract. All of a sudden they just change; they’ll swing from angry to a bit calmer, from calm to taking sides, and then wham, they make us their enemy!</p><p>It was a bit of a sad joke when the Secretary of Commission III asked us to send a letter of admonition to the Badung Regent regarding the development of Hotel Mulia in Nusa Dua. Oh, and also when the general public requested to know how come Commission III weren’t progressing with the mangrove park problem, they said that they are waiting for Walhi to send a formal letter to the court. Isn’t it a little weird how legislative action is dependent on us initiating a move?! I mean, isn’t it their job?</p><p>Read more: <a
href="http://www.rudolfdethu.com/2013/02/01/homegrown-well-known-i-wayan-gendo-suardana/" rel="nofollow">http://www.rudolfdethu.com/2013/02/01/homegrown-well-known-i-wayan-gendo-suardana/</a></p><p>Cc. Gendo Suardana Steve Palmer Sarah Forbes Ary Astina Arian Arifin Robi Navicula Alfred Pasifico Ginting Tandun Tony Ade Putri Paramadita Lauren Shipman</p> ]]></content:encoded> </item> <item><title>Comment on REBEL RADIO INDONESIA: Persetan Dogma Usang! by Rudolf Dethu</title><link>http://www.rudolfdethu.com/2013/01/25/rebel-radio-indonesia-persetan-dogma-usang/#comment-600</link> <dc:creator>Rudolf Dethu</dc:creator> <pubDate>Fri, 25 Jan 2013 04:47:38 +0000</pubDate> <guid
isPermaLink="false">http://www.rudolfdethu.com/?p=10009#comment-600</guid> <description><![CDATA[Semuanya berawal dari kegusaran soal seberapa seragamnya siaran radio yang ada di Bali pada khususnya dan Indonesia pada umumnya. Rangkaian tembang yang diputar ke pendengar, antara satu radio dengan lainnya rata-rata pilihannya sama atau mirip. Hampir nihil dan/atau sangat sedikit yang menawarkan sesuatu yang segar karena berbeda. Jika pun ada biasanya persembahan lagu-lagu yang lain dari biasanya tersebut cuma dijatah seminggu sekali serta kerap ditempatkan pada jam-jam “maling beroperasi”. Belum lagi variasi acaranya yang cenderung miskin peduli terhadap situasi-kondisi Bali (apalagi Nusantara) yang faktanya sedang nelangsa baik dalam konteks sosial, ekologi maupun ekonomi. Kebanyakan membahas tentang remeh temeh siapa galau siapa jomblo, dramatisasi ramalan bintang, kirim mengirim salam yang mengesankan aktivitas komunal walau sejatinya sering terpeleset ke fenomena “my friends are better than your friends”; lalu kedangkalan itu dilengkapi pula dengan padu paksa penggunaan istilah lu-gue yang paceklik lokalitas serta pekat sikap rendah diri pada Bali sebagai, katakanlah, nusa dan bangsa. Memang tak semua radio macam demikian. Ada beberapa—tepatnya sedikit—yang mencoba keluar dari stereotip tersebut. Namun tetap saja susah bagi mereka untuk ultra liar berimprovisasi akibat tekanan pemilik modal yang umumnya ingin bermain aman, harus bertahan dengan pola mainstream, alias setia pada status quo.
Dan gusar saja tidak cukup. Dan tiada gunanya saling menyalahkan. Tindakan nyata harus segera diambil, aksi mesti direalisasi: mendirikan institusi radio sendiri. Begitu keputusan bulat kawan-kawan sepemikiran. Identitas pun ditentukan: Radio Rebel Indonesia—yang kemudian berevolusi menjadi Rebel Radio Indonesia).
Baca selengkapnya: http://www.rudolfdethu.com/2013/01/25/rebel-radio-indonesia-persetan-dogma-usang/
Cc. Marlowe Bandem Ayip Bali Ridwan Rudianto RudeBoy Dodix Wayan Wiraprastha Ary Astina]]></description> <content:encoded><![CDATA[<p>Semuanya berawal dari kegusaran soal seberapa seragamnya siaran radio yang ada di Bali pada khususnya dan Indonesia pada umumnya. Rangkaian tembang yang diputar ke pendengar, antara satu radio dengan lainnya rata-rata pilihannya sama atau mirip. Hampir nihil dan/atau sangat sedikit yang menawarkan sesuatu yang segar karena berbeda. Jika pun ada biasanya persembahan lagu-lagu yang lain dari biasanya tersebut cuma dijatah seminggu sekali serta kerap ditempatkan pada jam-jam “maling beroperasi”. Belum lagi variasi acaranya yang cenderung miskin peduli terhadap situasi-kondisi Bali (apalagi Nusantara) yang faktanya sedang nelangsa baik dalam konteks sosial, ekologi maupun ekonomi. Kebanyakan membahas tentang remeh temeh siapa galau siapa jomblo, dramatisasi ramalan bintang, kirim mengirim salam yang mengesankan aktivitas komunal walau sejatinya sering terpeleset ke fenomena “my friends are better than your friends”; lalu kedangkalan itu dilengkapi pula dengan padu paksa penggunaan istilah lu-gue yang paceklik lokalitas serta pekat sikap rendah diri pada Bali sebagai, katakanlah, nusa dan bangsa. Memang tak semua radio macam demikian. Ada beberapa—tepatnya sedikit—yang mencoba keluar dari stereotip tersebut. Namun tetap saja susah bagi mereka untuk ultra liar berimprovisasi akibat tekanan pemilik modal yang umumnya ingin bermain aman, harus bertahan dengan pola mainstream, alias setia pada status quo.</p><p>Dan gusar saja tidak cukup. Dan tiada gunanya saling menyalahkan. Tindakan nyata harus segera diambil, aksi mesti direalisasi: mendirikan institusi radio sendiri. Begitu keputusan bulat kawan-kawan sepemikiran. Identitas pun ditentukan: Radio Rebel Indonesia—yang kemudian berevolusi menjadi Rebel Radio Indonesia).</p><p>Baca selengkapnya: <a
href="http://www.rudolfdethu.com/2013/01/25/rebel-radio-indonesia-persetan-dogma-usang/" rel="nofollow">http://www.rudolfdethu.com/2013/01/25/rebel-radio-indonesia-persetan-dogma-usang/</a></p><p>Cc. Marlowe Bandem Ayip Bali Ridwan Rudianto RudeBoy Dodix Wayan Wiraprastha Ary Astina</p> ]]></content:encoded> </item> <item><title>Comment on Domestic Groove: SAMMY BRAMANTYO by Rudolf Dethu</title><link>http://www.rudolfdethu.com/2013/01/08/domestic-groove-sammy-bramantyo/#comment-599</link> <dc:creator>Rudolf Dethu</dc:creator> <pubDate>Tue, 08 Jan 2013 01:54:14 +0000</pubDate> <guid
isPermaLink="false">http://www.rudolfdethu.com/?p=9898#comment-599</guid> <description><![CDATA[Q: What was the first record you bought—any interesting story behind it?
A: It was Metallica’s &quot;Black Album&quot;. You can consider me a late starter in terms of knowing what was going on in the 80′s and early 90′s, as it’s definitely not Metallica’s best album. I got to know the previous ones after. I also discovered Iron Maiden after that. I started learning to play guitar because of those Metallica albums. It was so good, I just had to learn to play it… To impress girls as well—but later on I found out that metal music attracts men more than women. Haha.
Read more: http://www.rudolfdethu.com/2013/01/08/domestic-groove-sammy-bramantyo/
Cc. Sammy Bramantyo]]></description> <content:encoded><![CDATA[<p>Q: What was the first record you bought—any interesting story behind it?<br
/> A: It was Metallica’s &#8220;Black Album&#8221;. You can consider me a late starter in terms of knowing what was going on in the 80′s and early 90′s, as it’s definitely not Metallica’s best album. I got to know the previous ones after. I also discovered Iron Maiden after that. I started learning to play guitar because of those Metallica albums. It was so good, I just had to learn to play it… To impress girls as well—but later on I found out that metal music attracts men more than women. Haha.</p><p>Read more: <a
href="http://www.rudolfdethu.com/2013/01/08/domestic-groove-sammy-bramantyo/" rel="nofollow">http://www.rudolfdethu.com/2013/01/08/domestic-groove-sammy-bramantyo/</a></p><p>Cc. Sammy Bramantyo</p> ]]></content:encoded> </item> <item><title>Comment on Inilah Juara Lomba Blog se-Bali by guruproduktif</title><link>http://baliblogger.org/kabar/inilah-juara-lomba-blog-se-bali-2.html#comment-597</link> <dc:creator>guruproduktif</dc:creator> <pubDate>Thu, 03 Jan 2013 08:19:44 +0000</pubDate> <guid
isPermaLink="false">http://baliblogger.org/?p=274#comment-597</guid> <description><![CDATA[kok alamat blog yang juaranya tidak ada?]]></description> <content:encoded><![CDATA[<p>kok alamat blog yang juaranya tidak ada?</p> ]]></content:encoded> </item> <item><title>Comment on Perjalanan Menyenangkan ke Nusa Lembongan by Joko Suprayitno</title><link>http://baliblogger.org/kabar/perjalanan-menyenangkan-ke-nusa-lembongan.html#comment-595</link> <dc:creator>Joko Suprayitno</dc:creator> <pubDate>Fri, 21 Dec 2012 10:17:02 +0000</pubDate> <guid
isPermaLink="false">http://baliblogger.org/?p=165#comment-595</guid> <description><![CDATA[Wahhhh senangnya sudah sampai ke Lembongan. Kelihatannya cukup menarik untuk dapat dikunjungi liburan ini.
Thx Infonya]]></description> <content:encoded><![CDATA[<p>Wahhhh senangnya sudah sampai ke Lembongan. Kelihatannya cukup menarik untuk dapat dikunjungi liburan ini.<br
/> Thx Infonya</p> ]]></content:encoded> </item> </channel> </rss>
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